
Sited on the edge of downtown Dallas, the Nasher Sculpture Center combines innovative architecture, open spaces, and sculpture in a single urban oasis.
The building is Renzo Piano’s experiment in lighting. It has a modular ceiling supported by rough marble pylons, which filter and direct sunlight. The ceiling appears to float magically, and reminds me of Piano’s lighting design for the new Modern Wing at the Art Institute of Chicago. The wonderful light quality, and excellent spacing of pieces contribute to an excellent interior presentation.

But the garden is also amazing. The rigor of the building pylons compliment the rigor of the landscaping. There is a wonderful Wolfgang Puck café at the far end of the building with an outdoor terrace where you can eat lunch overlooking Perter Walker’s enclosed sculpture garden. I come here whenever I visit Dallas and sit, looking at a Picasso concrete sculpture I’ve long admired. I used to think it was huge, but now I see what a wonderful human scale piece it really is. The perfect setting has a lot to do with my reassessment.
In the distance are Magdalena Abakanowicz’s headless figures standing at attention. The back of the garden contains one of my favorite figurative pieces by Rodin, like the one used by Mies in the Barcelona Pavilion. The Richard Serra wall is like a walk through a canyon.

The parade of trees on the lawn is wonderful. Hedges span the length of the wall, providing some limited transparency into the city between the gaps. Fountains produce white noise, camouflaging the traffic, and shallow ponds with lily pads line the back wall.
This is a beautiful and precious human-scale garden in the middle of a major city.
Every city needs a beautiful escape like this. Minneapolis has one–albeit much larger–where pieces by Klaus Oldenberg are in a park next to the art museum. I will try to feature this one later. You can enjoy the Nasher Sculpture Center all year round, while the wintertime experience in Minneapolis is sprinkled with snow. The garden in Chicago’s Millennium Park is comparable in ways as it’s also in the middle of the city, but the experience isn’t as individualized as at Nasher.
Every detail is important at Nasher: the roof, the vertical walls, the horizontal enclosing walls, the landscaping. It’s a beautiful confluence of art, architecture, and landscaping.
Don’t miss the Nasher Sculpture Center on your next visit to Dallas.
In a move that would break any architect’s heart, May planned to sell the blocks, but Lego won’t allow it. Lego says putting 3.3 million bricks on the market will dilute sales of their product, so May is left with donating the bricks to charity. Consider the silliness: If he built the house from real bricks he bought from a brickyard and then tried to sell them, would the brick-maker be able to say a resale would “dilute” his sales. Doubtful.
Questions of approval and ownership aside, the actual construction is amazing. You can easily see how Lego has inspired famous architects like
The graphics inside the house are cool, enlarged versions of rastor output. It’s a Bauhaus-like typographic creation akin to Deborah Sussman’s signs for the Apple Campus in Cuppertino or when tilemaker artists create modern motifs.
The textbook I wrote with Craig Berger and Lee Skolnick is being published in my native tongue: Polish.
Automobile pioneer Henry Ford collected all kinds of things, and one of them was buildings of relevance to the Midwest and general American history.
Getting around the place involves walking or getting a horse-pulled coach like the ones on Mackinac Island. The setting is realistic, and the landscape is open and fresh. It reminds me of skansens, the utdoor architectural museums in Sweden and my native Poland.
Cranbrook was founded in 1926 by George Gough Booth and his wife Ellen Scripps Booth. Booth was the Detroit-based publisher of several newspapers and radio stations at the beginning of the 20th century. The Booths desired two major elements for their project: a coed elementary and high school, and an academy of art. Mr. Booth invited Eliel Saarinen to design the campus and most of its buildings after learning about Sarrinen’s work through his entry in the Tribune Tower competition. The design of the campus is a meeting of old collegiate gothic and modern. Some of the housing units are more modern, and some of the studio buildings reference the European industrial style.

Many people imagine what it would be like to travel back through time, to get rid of those pesky cars, to have a place where one can ride a bike and not be run down by those dastardly pickup truck drivers. We dream of being able to walk, ride horses, and enjoy the breeze of the simple island life.
It was beautiful to see the town along the edge of the island, passing the 
The quality of the architecture is high, and despite my previous reference to Fantasy Island, it is a real place, a mix between colonial Williamsburg and the Wild West. The styles mixed Colonial, Victorian, and Cape Cod. There was even a bit of arts and crafts. The houses, churches, and grand hotels were built because families live here all year round as people did a hundred years ago. Yes, it’s a place of fantasy, but the residents live it every day.